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Title:Releasing the Image: From Literature to New Media
Format Type:Ebook
Author:
Publisher:Stanford University Press
ISBN:0804761388
ISBN 13:
Number of Pages:304
Category:Manga

Releasing the Image: From Literature to New Media by Jacques Khalip, Robert Mitchell, Giorgio Agamben, Cesare Casarino

PDF, EPUB, MOBI, TXT, DOC Releasing the Image: From Literature to New Media It has become a commonplace that images were central to the twentieth century and that their role will be even more powerful in the twenty first But what is an image and what can an image be i Releasing the Image i understands images as something beyond mere representations of things Releasing images from that function it shows them to be self referential and self generative and in this way capable of producing forms of engagement beyond spectatorship and subjectivity This understanding of images owes much to phenomenology the work of Husserl Heidegger and Merleau Ponty and to Gilles Deleuze s post phenomenological work The essays included here cover historical periods from the Romantic era to the present and address a range of topics from C zanne s painting to images in poetry to contemporary audiovisual art They reveal the aesthetic ethical and political stakes of the project of releasing images and provoke new ways of engaging with embodiment agency history and technology .

  • Releasing the Image: From Literature to New Media

    This book Download ePub PDF File Libs - Releasing the Image: From Literature to New Media - It has become a commonplace that images were central to the twentieth century and that their role will be even more powerful in the twenty first But what is an ...

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  • Anonymous Life: Romanticism and Dispossession

    This book Download ePub PDF File Libs - Anonymous Life: Romanticism and Dispossession - Romanticism is often synonymous with models of identity and action that privilege individual empowerment and emotional autonomy In the last two decades these mo...

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  • Releasing the Image: From Literature to New Media

    This book Download ePub PDF File Libs - Releasing the Image: From Literature to New Media - It has become a commonplace that images were central to the twentieth century and that their role will be even more powerful in the twenty first But what is an ...

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  • Last Things: Disastrous Form from Kant to Hujar

    This book Download ePub PDF File Libs - Last Things: Disastrous Form from Kant to Hujar - With the arrival of the so called era of the Anthropocene certain contemporary theoretical approaches have led us to think that we are only now properly beginni...

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  • Constellations of a Contemporary Romanticism

    This book Download ePub PDF File Libs - Constellations of a Contemporary Romanticism - em Constellations of a Contemporary Romanticism em takes its title and point of departure from Walter Benjamin s concept of the historical constellation which p...

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  • Constellations of a Contemporary Romanticism

    This book Download ePub PDF File Libs - Constellations of a Contemporary Romanticism - em Constellations of a Contemporary Romanticism em takes its title and point of departure from Walter Benjamin s concept of the historical constellation which p...

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Releasing the Image: From Literature to New Media, Constellations of a Contemporary Romanticism, Constellations of a Contemporary Romanticism, Anonymous Life: Romanticism and Dispossession, Releasing the Image: From Literature to New Media, Last Things: Disastrous Form from Kant to Hujar
It has become a commonplace that images were central to the twentieth century and that their role will be even more powerful in the twenty first But what is an image and what can an image be i Releasing the Image i understands images as something beyond mere representations of things Releasing images from that function it shows them to be self referential and self generative and in this way capable of producing forms of engagement beyond spectatorship and subjectivity This understanding of images owes much to phenomenology the work of Husserl Heidegger and Merleau Ponty and to Gilles Deleuze s post phenomenological work The essays included here cover historical periods from the Romantic era to the present and address a range of topics from C zanne s painting to images in poetry to contemporary audiovisual art They reveal the aesthetic ethical and political stakes of the project of releasing images and provoke new ways of engaging with embodiment agency history and technology br br, Romanticism is often synonymous with models of identity and action that privilege individual empowerment and emotional autonomy In the last two decades these models have been the focus of critiques of Romanticism s purported self absorption and alienation from politics While such critiques have proven useful they often draw attention to the conceptual or material tensions of romantic subjectivity while accepting a conspicuous autonomous subject as a given thus failing to appreciate the possibility that Romanticism sustains an alternative model of being one anonymous and dispossessed one whose authority is irreducible to that of an easily recognizable psychologized persona In i Anonymous Life i Khalip goes against the grain of these dominant critical stances by examining anonymity as a model of being that is provocative for writers of the era because it resists the Enlightenment emphasis on transparency and self disclosure He explores how romantic subjectivity even as it negotiates with others in the social sphere frequently rejects the demands of self assertion and fails to prove its authenticity and coherence, It has become a commonplace that images were central to the twentieth century and that their role will be even more powerful in the twenty first But what is an image and what can an image be i Releasing the Image i understands images as something beyond mere representations of things Releasing images from that function it shows them to be self referential and self generative and in this way capable of producing forms of engagement beyond spectatorship and subjectivity This understanding of images owes much to phenomenology the work of Husserl Heidegger and Merleau Ponty and to Gilles Deleuze s post phenomenological work The essays included here cover historical periods from the Romantic era to the present and address a range of topics from C zanne s painting to images in poetry to contemporary audiovisual art They reveal the aesthetic ethical and political stakes of the project of releasing images and provoke new ways of engaging with embodiment agency history and technology br br, With the arrival of the so called era of the Anthropocene certain contemporary theoretical approaches have led us to think that we are only now properly beginning to speculate on an inhuman world that is not for us as well as confronting our fears and anxieties around ecological political social and philosophical extinction Reflections on apocalypse and disaster however were not foreign to what we historically call romanticism but in i Last Things i Jacques Khalip begins with the end of things differently treating lastness otherwise than either a privation or a conclusion He emphasizes quieter and non emphatic modes of thinking the end of the world of thought itself Without fear foreshadowing or catastrophe Khalip explores lastness as a form structure or unit that marks the limits of our life and world and he reads the fate of romanticism and romantic studies within the key of the last Although this is a reading one could never wish for it is one Khalip argues that we urgently have to make today The book is not an elegy to the human or to romanticism rather it polemically argues that we should read romanticism as a negative force that exceeds theories narratives and figures of survival and sustainability br br Each chapter explores a diverse range of romantic and contemporary materials poetry by John Clare Emily Dickinson John Keats Percy Shelley and William Wordsworth philosophical texts by William Godwin David Hume Immanuel Kant and Jean Jacques Rousseau paintings by Hubert Robert Caspar David Friedrich and Paterson Ewen installations by Tatsuo Miyajima and James Turrell and photography by John Dugdale Peter Hujar and Joanna Kane Shuttling between different temporalities i Last Things i undertakes an original reorganization of romantic thought for contemporary culture It examines an archive that is on the side of disappearance perishing the inhuman and lastness