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Title:Shakespeare On Film: Contemporary Critical Essays
Format Type:Ebook
Author:
Publisher:Palgrave Macmillan
ISBN:0312214480
ISBN 13:
Number of Pages:218
Category:Manga

Shakespeare On Film: Contemporary Critical Essays by Robert Shaughnessy

PDF, EPUB, MOBI, TXT, DOC Shakespeare On Film: Contemporary Critical Essays This collection of contemporary criticism highlights the ways in which recent discussion of Shakespeare on film has drawn upon the theoretical perspectives of Marxism feminism psychoanalysis and post structuralism generating a radical reappraisal of Shakespearean cinema which has itself experienced a revival in the last decade Ranging widely across the canon of Shakespeare films from Max Reinhardt s i A Midsummer Night s Dream i to Peter Greenaway s i Prospero s Books i the essays address the cultural politics of film adaptation from a variety of angles offering readings of individual films i Hamlet Henry V The Tempest i but also raising larger questions about the nature purpose and future direction of Shakespearean cinema

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The Shakespeare Effect: A History of Twentieth-Century Performance, The Routledge Guide to William Shakespeare, Lives of Shakespearian Actors, Part I: David Garrick, Charles Macklin and Margaret Woffington by Their Contemporaries, Shakespeare In Performance, The Cambridge Companion to Shakespeare and Popular Culture, Representing Shakespeare: History, Theatre and the R.S.C., Three Socialist Plays, As You Like It, Four Renaissance Comedies, Shakespeare On Film
Robert Shaughnessy considers the major issues in the theory and practice of socialist drama using as his point of departure the performance centred close analysis of three plays Edward Bond s Lear Arnold Wesker s Roots and John Arden s Sergeant Musgrave s Dance Through the comparison and juxtaposition of these plays this guide introduces key concerns and debates the politics of theatre criticism the relation between text and performance illusionism versus Epic Theatre The basis for the discussion throughout is the performance potential of the three plays a mode of active reading geared towards a socialist theatre practice Overall this guide aims to enable students to engage not only with the individual texts but with the broader possibilities of socialist theatre, This Companion explores the remarkable variety of forms that Shakespeare s life and works have taken over the course of four centuries ranging from the early modern theatrical marketplace to the age of mass media and including stage and screen performance music and the visual arts the television serial and popular prose fiction The book asks what happens when Shakespeare is popularized and when the popular is Shakespeareanized it queries the factors that determine the definitions of and boundaries between the legitimate and illegitimate the canonical and the authorized and the subversive the oppositional the scandalous and the inane Leading scholars discuss the ways in which the plays and poems of Shakespeare as well as Shakespeare himself have been interpreted and reinvented adapted and parodied transposed into other media and act as a source of inspiration for writers performers artists and film makers worldwide, Following the work of the Royal Shakespeare Company over three decades Representing Shakespeare traces the changing theatrical and cultural identity of the history plays in the context of post war social and political conflict war crisis and change In this new study Shakespeare s plays in performance are seen as part of a wider cultural history Traditional theatre history and performance criticism has largely excluded politics and social history isolating the theatre production as an interpretive act without taking into account its social and ideological contexts This book examines the enduring appeal and potency of the history plays showing how these stories have been repeatedly reinvented by the RSC as narratives of individual self definition and self discovery Since the inception of the Royal Shakespeare Company in the s the company s commitment to relevance has fostered close relationships between Shakespearean criticism and performance and between the theatre and its audiences Through a detailed discussion of key productions from The Wars of the Roses in to the Plantagenets in Robert Shaughnessy emphasises the political dimension of contemporary theatrical representations of Shakespeare Using as his source the company s promptbooks and production records he goes on to illustrate the Shakespearean modes of history that these plays have been employed to promote individualist cyclical male dominated driven by an essentialised transcendent human nature, This lively and provocative study offers a radical reappraisal of a century of Shakespearean theatre Topics addressed include modernist Shakespearean performance s relation with psychoanalysis the hidden gender dynamics of the open stage movement and the appropriation of Shakespeare himself as a dramatic fiction and theatrical icon br