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Title:La Création De Rubens
Format Type:Ebook
Author:
Publisher:eBooks
ISBN:2070742598
ISBN 13:
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Category:Art history, Art, History and politics

La Création De Rubens by Svetlana Alpers

PDF, EPUB, MOBI, TXT, DOC La Création De Rubens This study discusses basic questions about Rubens s art and life studies two of his bacchic paintings in detail and describes him in a less easy and more identifiably modern predicament

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Rembrandt's Enterprise: The Studio and the Market, Roof Life, The Concept of Style, The Art of Describing: Dutch Art in the Seventeenth Century, The Decoration of the Torre de la Parada (Corpus Rubenianum Ludwig Burchard, Part IX) (Corpus Rubenianum Ludwig Burchard), The Vexations of Art: Velzquez and Others, Tiepolo and the Pictorial Intelligence, Alex Katz: Large Paintings: October 17-November 10, 2001, The Making of Rubens
This is not a memoir It does not take the form of a story It is instead a kind of self portrait or perhaps several self portraits Svetlana Alpers had been keeping files records of what she saw out the windows of her loft in New York records of art sold bought or seen on her walls records of foods found in markets and prepared in places where she lived and records of herself seen in photographs drawings and paintings made by others In solving the question of her father s place and date of birth she reconstructs the life of her Russian grandfather in a distant and tumultuous Europe of a century ago br br It was i Roof Life i that made it all come together The title refers to what one discovers looking out from high windows with distant and distinctive views In addition it refers to the way one s attention is heightened and sharpened by confronting things that are unfamiliar or that are made to appear unfamiliar by circumstances It describes the immediacy of distance br Renowned art historian Svetlana Alpers assembles in these pages descriptions of things that mattered in a life that began in Cambridge Massachusetts continued in Berkeley California and is now lived in New York City The experience of Europe informs it all, The art historian after Erwin Panofsky and Ernst Gombrich is not only participating in an activity of great intellectual excitement he is raising and exploring issues which lie very much at the centre of psychology of the sciences and of history itself Svetlana Alpers s study of th century Dutch painting is a splendid example of this excitement and of the centrality of art history among current disciples Professor Alpers puts forward a vividly argued thesis There is she says a truly fundamental dichotomy between the art of the Italian Renaissance and that of the Dutch masters Italian art is the primary expression of a textual culture this is to say of a culture which seeks emblematic allegorical or philosophical meanings in a serious painting Alberti Vasari and the many other theoreticians of the Italian Renaissance teach us to read a painting and to read it in depth so as to elicit and construe its several levels of signification The world of Dutch art by the contrast arises from and enacts a truly visual culture It serves and energises a system of values in which meaning is not read but seen in which new knowledge is visually recorded George Steiner i Sunday Times i br br There is no doubt that thanks to Alpers s highly original book the study of the Dutch masters of the seventeenth century will be thoroughly reformed and rejuvenated She herself has the verve the knowledge and the sensitivity to make us see familiar sights in a new light E H Gombrich i New York Review of Books i, Reconsiders the concensus on Rubens as a successful prolific and facile court painter who is dwarfed by the achievements of his near contemporary Rembrandt This book scrutinizes the assumptions upon which this image is built and discovers an artist involved with ambivalence and ambiguity, This series edited by Professor d Hulst is a definitive multi volumed catalogue raisonne of the work of the great Flemish painter Peter Paul Rubens Part III provides sixty seven outstanding examples of Rubens s gift as a narrator bearing witness to the fertility of his imagination the accuracy of his drawings and the inspired skill of his brushwork Each work is considered in light of the best scholarship with full provenances for the originals and the copies a record of exhibitions in which they have been shown as well as the literature in which they have been discussed Everything catalogued is also illustrated with additional comparative illustrations